MIKOŁAJ ANTCZAK – director and treasurer
of the Forma Foundation Publishing House, classical philologist, translator,
graphic designer and photographer. Member of the board of the critical editions
of Andrzej Kurylewicz opera omnia. Together with Gabriela Kurylewicz he is
responsible for all organisatory work with the Andrzej Kurylewicz Music Days
and the “kurylewicz.pl” project.
PIOTR LATOSZYŃSKI – pianist,
music editor.
MAURO BATTISTI – double-bass player,
composer. Born in Rome, 1963. He has studied guitar, piano and double-bass
at the ‘G.Rossini’ Conservatory, Pesaro. Following master-classes with Stafford
James, he continued his jazz training with Curtis Lundy and, in New York, with
Buster Williams and Victor Gaskin. Since the 80’s, he has performed in all of
the principle Italian jazz clubs, theatres and jazz festivals. He has also
performed in Denmark, Sweden (the Kristianstad jazz festival), Switzerland,
Germany, New York and the Lebanon (Heineken Jazz Festival). In 1988, playing
with the Toni Pancella Trio, he won the first national jazz contest
organized by Rome’s ‘Music Inn’, and in 1989, with the band Tetracolours,
the Forli Jazz contest. An exceptionally experienced bass player, Mauro Battisti
has amongst his credits a number of collaborations with such noted jazz
musicians as: Lee Konitz, Benny Golson, Eddie Lockjaw Davis, Mark Murphy, Wild
Bill Davidson, Earl Warren, Joe Pass, Joe Diorio, Massimo Urbani, Steve
Grossman, Mike Melillo, Al. Cohn, Gianni Basso, Pete Malinverni, Houston
Person, Barry Harris, Etta Jones, Al. Grey, Joe Newman, Kim Parker, Rosario
Giuliani, Xavier Girotto, Jay Clayton, Andrzej Kurylewicz, Wanda Warska, Jerry
Granelli, Tony Scott, Ettore Fioravanti, John Mosca, Jimmy Lovelace, Tom Artin,
Carl Potter, Leroy Williams, George Masso, Sonny Costanzo, Sal Nistico, Robin
Kenyatta, Bob Wilber, Marcello Rosa, Bob Mover, Tom Kirkpatrick, Ronnie Cuber
and Cedar Walton. In great demand for his versatility, he has appeared on
several albums as a sideman, on numerous Radio and Television productions, and
in the realisation of various soundtracks. His collaborations have extended to
the theatre, and to the combination of jazz with recitation, poetry and dance.
Since 1997, he has been co-leader of the Velotti-Battisti Jazz Ensemble.
In 1998, the VBJE recorded in NewYork with the American pianist Pete
Malinverni. In 1998 they also completed a CD dedicated to Giacomo Leopardi,
featuring the voice of the renowned Italian actor Arnoldo Foà, and in
1999 a CD connecting Jazz and Multimedia. Mauro Battisti is also a composer,
and a tutor of Double-Bass and Modern Harmony. Since 1999 he colaborates with
Gabriela Kurylewicz and is one of the musical directors of Forma – Theatre.
VIVIAN BOLAND fr. OP –
philosopher, theologian. Director of Aquinas Institute in Oxford. Vivian Boland is former
Master of Students of the English Dominicans; he has recently become the Master
of the Order's Socius for North West Europe and Canada, based in Rome. Friar of the
Irish Dominican Province currently assigned to the Convent of Santa Sabina,
Rome.
Books:
Ideas in God according to Saint Thomas
Aquinas, Brill - Leiden, 1996
St Thomas Aquinas, Continuum – London
2007
PAWEŁ PAŃTA – double bass player.
MARCO BRUNO – poet, translator, essayist.
JULIAN FELKNER – secretary of the Foundations Forma, Theatre, Institute of Arts &
Philosophical Research and Piwnica Artystyczna W.Warskiej i A.Kurylewicza,
student of classical philology (University of Warsaw).
MAGDA FORTECKA – painter, translator.
Born in Zakopane, now living in Warsaw. She has studied English philology at
the University of Warsaw. She learned the technique of painting on glass in
Zakopane from Jan Jachimiak and Jan Kosiński. She spent the late 1980’s in
California, and became a member of the Pacific Art League of Palo Alto. In
1990, she won the Polish ‘Painting On Glass’ competition. Since the late 1980’s
she has exhibited in Chicago (Jazowsko Wooden Gallery), Warsaw (Piwnica
Artystyczna Kurylewiczów), Paris (St. Peter’s Church), St. Cheron, France
(Galeria Chateaux du Marais), Jonzac, France (Galeria Cloitre des Carnes),
Zakopane (Galeria YAM and Muzeum Tatrzańskie), Mexico (Monterrey Cultural
Centre and Puebla Cultural Centre), London (Institute of Polish Culture),
Katowice (Archdiocese Museum), Konin (Regional Muzeum).
OLGA SIENKO – painter, owner of the Sienko
Gallery.
ANNA NASIŁOWSKA – writer,
poet, professor of Literature (PAN), president of SPP (Polish Writers
Association).
ANDRZEJ JAGODZIŃSKI – pianist,
composer, leader of Andrzej Jagodziński Trio.
GRAŻYNA JANCEWICZ-KULESZA – architekt,
malarka. Urodzona w Polsce (Wilno), ukończyła architekturę na Politechnice
Gdańskiej. Wyjechała do Anglii, gdzie rozpoczęła pracę jako architekt
zarejestrowany i zrzeszony w Związku Architektów Brytyjskich (A. R. C. U. K.)
i, od 1972 roku, członek Królewskiego Instytutu Architektów Brytyjskich (Royal
Institute of British Architects). Przez 20 lat projektowała i budowała domy
mieszkalne, biurowce, urzędy, centra spotrowe i wnętrza na zamówienia prywatne
i dla instytucji w Wielkiej Brytanii. Później, wraz z mężem – Andrzejem
Kuleszą, projektowała i budowała kościoły, projektowała i realizowała projekty
witraży (metodą prefabrykowaną, według techniki zainicjowanej przez jej męża),
m. in. Polski Kościół Milenium w Lens, skonstruowany z 400 metrów kwadratowych
witraży. Od 1986 roku mieszka w Hiszpanii i zajmuje się głównie malarstwem.
Realizuje mniejsze i większe projekty malarskie we wnętrzach prywatnych domów i
instytucji państwowych. Zafascynowana przeszłością fenicką, rzymską i arabską
Andaluzji jest autorką malowideł ściennych, 8 m x 2. 5 m każde, opowiadających
o dziajach Almunecar. Dwa z nich są wmontowane na stałe w mury Domu Kultury
Almunecar. Obecnie w jej obrazach dominuje pejzaż, w którym kolor, światło i
magia odzyskiwanej rzeczywistości są dla autorki szczególnie ważne.
GABRIELA KURYLEWICZ – daughter of Wanda
Warska and Andrzej Kurylewicz. Student of Stefan Swieżawski, Erwin Axer and Leszek
Kołakowski. Philosopher, poet, translator, poetry performer.
Studied at the University of Warsaw and the University of London. PhD in
philosophy at the Institute of Philosophy UW in 2003. In 2011 she became
lecturer at the Institute of Philosophy - (the University of Warsaw) and joined
the board of the Polish Writers’ Association. In 2001 founded the Foundation
Forma – Theatre and Institute of Arts and Philosophical Research. Member of
ZAiKS (section of literary works) since 2001 and SIEPM since 1997. After the
death of her father she assumed Director of the Piwnica Artystyczna
Kurylewiczów. In 2007 she set up the annual festival Andrzej Kurylewicz Music
Days in Warsaw, and started promoting her father’s music throughout Europe
under “kurylewicz.pl”. She is also responsible for the critical editions of the
opera omnia of Andrzej Kurylewicz.
Books in the history of philosophy:
Dzieło sztuki i jego brak (The Work of Art
Well-Made and Ill-Made), Warszawa 1996,
Poznawanie i niepoznawanie
istnienia – Giovanni Pico della Mirandola w poszukiwaniu metafizycznej
zgodności wszystkiego, co istnieje (Knowing and Not Knowing Being – Giovanni Pico
della Mirandola’s Quest for the Metaphysical Harmony of all Existing Things),
Warszawa 2004.
Translations:
Thomas Aquinas, Traktat o Bogu (The
Treatise on God), Polish translation and
commentaries G. Kurylewicz, Z. Nerczuk i M. Olszewski, Znak, Kraków
1998, 2000.
Giovanni Pico della Mirandola, O
bycie i jednym (On Being and One) and List
do Hemolausa Barbaro (The Letter to Hermolao Barbaro), [in:] Anthology of
the Latin Philosophy in the XVth Century, ed. E. Jung, Łódź,
Boethius, O pocieszeniu, jakie
daje filozofia (De Consolatione Philosophiae), pol. transl. G. Kurylewicz,
M. Antczak, Kęty 2006.
Books of poetry:
Wiersze (Poems), Kraków 1992,
Wydłużyć horyzont (To Extend the Horizon),
Kraków 1998,
Tristia, Warszawa 2003,
Księżyc świadkiem, Warszawa 2010,
Heaven and the Watch, Warszawa 2011,
Rymki, Warszawa 2020,
Zaśpiew, Warszawa 2020.
Translations of poetry:
William Shakespeare, Hamlet
and Sonnets (in preparation).
Discography:
Historia jednego dnia (Story of the One Day)
(script, poems and reciting – G. Kurylewicz, music, double-bass – Mauro
Battisti, the final solo voice – Wanda Warska, sound directing – Ewa
Guziołek-Tubelewicz, studio recording, Fundacja Forma, Polskie Radio 2002).
Nowa Historia – 13
wierszy (The New Story – 13 Poems) (script, poems, reciting – G. Kurylewicz,
music, piano – Andrzej Jagodziński, the final solo voice – Wanda Warska, sound
directing – Ewa Guziołek-Tubelewicz, studio recordnig, Fundacja Forma, Polskie
Radio 2004).
GRZEGORZ BYLICKI – french horn player, piano tuner, piano restorer.
EUNSLEY PARK – violinist. Born in
South Korea in 1990 she started playing the violin aged five years old. She
studied with Peter Zanre in Scotland and she was featured twice on Scottish
television.
From January 2001, she was
a student at the Yehudi Menuhin School, where she studied with Rosemary
Warren-Green and Natasha Boyarsky.
Eunsley has performed
throughout the U.K, South Korea, France, Italy, Israel, Turkey, Germany and
Poland. Within the UK, she has performed in many venues as a soloist, such as:
the Wigmore Hall, St John’s Smith Square, the Victoria and Albert Museum, the
Swiss Embassy, Wyastone Concert Hall, Merchant Taylors Hall, West Road Concert
Hall, and the House of Lords. She has performed with Orchestras at the Polesdon
Lacey festival and in Istanbul, at the Mostly Mozart Festival with the Romanian
Radio Orchestra.
In December 2003 she gave
an acclaimed recital in Aberdeen and she has also performed with the London
Chamber Orchestra in St. John’s Smith Square, as soloist. In the summer 2006
she was the soloist for several performances of ‘Spring’ from Vivaldi’s Four
Seasons on tour with the Yehudi Menuhin School orchestra. As part of an
ensemble, she has performed at the Wigmore Hall, Fairfield Halls, Chichester
Theatre, St. David’s Hall, Royal Albert Hall, and in Switzerland, at the
Menuhin Festival in Gstaad, and Italy, working with maestros such as M.
Rostropovich, V. Ashkenazy and V. Jurowski. As leader of the Park Quartet and
Amabile Piano Trio, she has performed in many venues such as the Wigmore Hall,
RCM Amaryllis Fleming Concert Hall, Royal Automobile Club, the Garrick Club,
Queens Gate Terrace, and was selected to perform in the Britten Theatre for RCM
Chamber Series and for the British and EU Society. The quartet has been
invited as visiting quartet for the 2012 5th Anniversary festival 'Les Ballades Musicales' in Combret sur Rance in France.
Future performances include at the Schwerin Opera House in Germany and the
Elgar Room at the Royal Albert Hall.
She has participated and
performed in international summer festivals, in Italy, Israel and France. She
has had masterclasses with teachers such as: Zakhar Bron, Dora Schwarzberg, Zvi
Zeitlin, Rudolf Koelman, Stephen Barrat-Due, Pavel Vernikov and Boris
Kuschnir. She is an alumni of the Keshet Eilon Violin Mastercourse.
Competition successes
include: prizewinner at the Tunbridge Wells International Concert Artists
Competition and Sevenoaks Young Musician Competition, and section and first
prizes at the Croydon and Kingston Concerto Competition.
Eunsley is invited
annually by Gabriela Kurylewicz to perform in Warsaw’s Polish Radio Lutoslawski
Concert Hall and Piwnica Artystyczna Kurylewiczow as part of the Kurylewicz
Music Days Festival. She is a collaborator of the critical editor’s board of
the opera omnia by Andrzej Kurylewicz.
She is studying at the
Royal College of Music with Itzahk Rashkovsky and is in receipt of a Foundation
Scholarship and a Henry Wood award.
JENNY QUAYLE – actress, painter. Jenny Quayle has appeared in numerous productions
throughout Britain, most recently as Marion Whittaker in Easy Virtue (dir.
Maria Aitken) and in Love for Love at the Chichester Festival Theatre),
and as Mrs Elvsted in Hedda Gabler. Other theatre credits include Lady
Julie in Waste, Regan in King Lear (for Peter Hall at the Old
Vic), Deborah in Sons of Deborah (Cockpit), The River Elbe in Outside
on the Street (Gate), Beatrice in The Venetian Twins, Miss Gilchrist
in The Hostage, Princess of France in Love’s Labour’s Lost (RSC
Stratford i Barbican), Viola in Twelfth Night, Lady Macbeth in Macbeth,
Catherine of France in Henry IV and Doll Tearsheet in Henry V
(ESC), Miss Pepys in The Pepys Show (Good Company), all six women in Anatol
(Theatr Clwyd), Babba in The Talkin’s Dark (Manchester Royal Exchange),
Gloria in You Never Can Tell (Haymarket), in One of Us and An
Inspector Calls (Greenwich), in Great White Hope (Tricycle Theatre),
Titania in Midsummer Night’s Dream (Regents Park), in One for the
Road (written and directed by Harold Pinter, Lyric Hammersmith), in Quartermaine’s
Terms (Queens), in Bus Stop i Gingerbread Lady (Phoenix), in Man
and Superman, Hobson’s Choice and The Merchant of Venice
(Guildford), in Arms and the Man, Fitting for Ladies and in Beauty
and the Beast (Oxford Playhouse), Juliet in Romeo and Juliet and
Beattie in Roots (Ipswich), in Roses of Eyam, The Boyfriend
and in The Merchant of Venice (Northcott Theatre, Exeter). Her
television credits include Soldier Soldier, Peak Practice, A
New Lease of Death, Sherlock Holmes, Wales Playhouse 6, The
Bill, The Old Crown, Voyage of Charles Darwin, Keep in the
Family, Thriller, Play for Today, 30 Minute Theatre.
Radio credits include Diana Era by Timberlake Wirtenbaker (BBC).
BEATA RASZEWSKA – violist, soloist of the NOSPR (Polish National
Radio Symphony Orchestra), leader of Piwnica Kurylewiczów String Quartet.
PIWNICA KURYLEWICZÓW STRING QUARTET – Nikola
Frankiewicz/Krystyna Kwiatkowska – violin I, Maria Strzelczyk – violin II,
Beata Raszewska – viola, Karolina Nowak-Waloszczyk – cello.
JERZY WOŁOCHOWICZ – cellist. He has studied at the Frederic Chopin Music Academy (Warsaw),
and at the Israel Music Academy (Tel-Aviv). He is a founder member of both the
New Warsaw Trio and the Warsaw String Trio. He has been a finalist in numerous
chamber music competitions, including: Muluse ’92, Lodz ’89 and Osaka ’93. He
has performed in festivals throughout Europe. Amongst the many ensembles and
institutes under which he has studied, and collaborated with, are the Beaux
Arts Trio (Schleswig-Holstein Music Festival 1994), the Trio di Trieste
(Academia Chigiana, Sienna 1993), and Piwnica Artystyczna Kurylewiczów
(Warsaw). In 1993 he played in a special private concert at Castel
Gandolfo for Pope John Paul II. He has been involved with many chamber music groups
in Poland and abroad. He has recorded for Polish radio and television, for ZDF,
RAI and the BBC.
EWA WYCICHOWSKA – choreographer, dancer, professor of dance. For many years she performed
as the primaballerina of the Teatr Wielki, Łódz. Since 1988 she has been the
artistic director of the Polish Dance Theatre, Poznań Ballet, inheriting the
position from Conrad Drzewiecki, whose conception of the theatre of the auteur,
incorporating modern dance, she has modified by the invitation for
collaboration of auteurs from all over the world – including Birgit Culberg,
Mats Ek, Orjan Andersson (Sweden), Stanisław Wiśniewski (France), David Earle
(Canada), Toru Shimazaki (Japan). She is the author and choreographer of
numerous performances.
ANDRZEJ KURYLEWICZ (1932-2007) – composer, pianist, trumpet-player, trombonist.
Born in Lvov. His musical education began in the Music School of Lvov
(Szkoła Muzyczna) and in the Institute of Music (Instytut Muzyczny) in Gliwice.
He went on to study in the High School of Music (Wyższa Szkoła Muzyczna) in
Kraków; piano under Henryk Sztompka, composition under Stanisław Wiechowicz.
Expelled from the High School because his anti-communist stance, he, with the
help of the famous Władysław Szpilman, made his debut as the founder of the
Polish Radio Jazz Band (Zespół Jazzowy Polskiego Radia) in 1955 in Kraków. He
was the Director of the Polish Radio and Television Orchestra in Warsaw
(1963-1966). In 1969 he founded the Formation of Contemporary Music (Formacja
Muzyki Współczesnej - strings, brass and percussion), which he led till 1979.
In 1967, in Warsaw’s Old Town, with his wife Wanda Warska - a singer and
painter – he opened "Piwnica Artystyczna Kurylewiczów" – a studio for
the performance of musical and literary forms, distinct and combined. Andrzej
Kurylewicz is one of the most outstanding personalities in contemporary Polish
music combining the fields of serious music and jazz. He was a passionate
artist and intellectual who gave concerts - both as a conductor and instrumentalist
- throughout Europe, as well as South and North America. In 1957 as the winner
of Stuttgart’s Piano Competition (organised by Suddeutsche Rundfunk), he was
the first artist from behind the Iron Curtain. In 1965 he received the
Polish Radio and Television Award; in 1978, the Award of the City of Warsaw; in
1981, the Prix Italia; in 1987, the Medal of the City of Warsaw. He has also
received many prizes for his compositions for film and theatre. In 1984 he took
up the position of composer-in-residence of the city of Wilhelmshaven.
Throughout the late 80’s and early 90’s, he maintained a close association with
the State University in Kansas (USA). In 2001 he was honoured with the
Bundesverdienstkruetz I. Klasse.
Critic Bohdan Pociej has
described Kurylewicz’s music as “charming because of: lightness, grace,
elegance, aesthetical taste, precision of expression and what I stress
especially is his concentrated use of harmony and endless invention of
variation together with classical discipline of form. The heart of his music
remains lyrical”.
As a composer, he belongs
- as he himself has put it – to the "post-avant-garde" of the late
20th century. He has composed numerous pieces for symphonic orchestra,
for chamber orchestra, as well as many song-cycles, psalms for Latin texts, a
"Missa Brevis" for the Roman Missal, and a wide range of solo works,
for piano, harpsichord, organ, flute, tuba, double-bass, and others. As a
pianist, Andrzej Kurylewicz valued highly the music of Karol Szymanowski,
offering particularly outstanding interpretations of all twenty-two Mazurkas
op. 50, recorded for Polish Radio in 1997.
List of Works:
Somnambulicy op.1 1958
Concerto na tematy
Jarzębskiego I op.1a 1965
Minotaur (balet) op.2
1965
Concerto na tematy
Jarzębskiego II op.3
1965
Concerto na tematy
Jarzębskiego III op.4
1968
Formacja Muzyki
Współczesnej op.5
1969
Norwid – 21 Pieśni op.6
1970
Słowacki – 4 Pieśni
op.7
1971
Poświatowska – 4
Piosenki op.8
1972
Rok Polski (10
Grochowiak) op.9
1974
Schema Quattro per
Quattro op.10
1974
Adagio da Dramma op.11
1975
Screenplay for Orch. Tape op.12
1975
5 rozgrzewek op.13
1976
Moods op.14
1976
Psalm 60 op.15
1976
Episodi per Tre op.16
1978
Szkic krajobrazu op.17
1978
Sonet op.18
1978
Te Deum op.19
1978
I Kwartet smyczkowy op.20
1980
Kochanowski – 5
Pieśni op.21
1980
Zdrowaś Mario i
Pieśń Konfederatów Barskich op.22
1981
Poemat symfoniczny
nr 1 „In Verona” op.23
1981
Capriccio a Due op.24
1982
Drzeworyt 1, 2 op.25
1982
II Kwartet
smyczkowy op.26
1982
III Kwartet
smyczkowy op.27
1983
Missa Brevis op.28
1983
Due Pezzi Semplici op.29
1983
Serenata op.30
1983
Duetto Lirico op.31
1984
Tre Salmi 127, 116, 22 op.32 1984
10 Songs German Baroque op.33 1984
Poemat symfoniczny
nr 2 „Godzina się zniża” op.34
1985
Tubesque op.35
1985
Anima Christi op.36
1986
Dormitina op.37
1986
Ave Maris Stella op.38
1986
2 Psalmy
Wielkopiątkowe op.39
1986
Blow the Wind op.40
1987
Miłosz – 8 Pieśni op.41
1987
Witraż w
miejscowości N op.42
1987
Mandelsztam – 7
Pieśni op.43
1987
Notturno op.44
1988
Watsonbrass in Charge op.45
1989
Time for Jazz op.46
1989
Gabriela Quintet op.47
1990
Pieśni Gabrieli –
do 4 wierszy G.Kurylewicz op.48
1992
Kołowrotek op.49
1992
Impromptu z
rozmarynem op.50 1992
Trio per Tre e per
Quattro op.51 1994
Adagietto
(Wyspiański) op.52 1995
Jeruzalem – do
wiersza G.Kurylewicz Jeruzalem op.53 1996
Larghetto –
„Kamienie Staromiejskie” op.54 1997
Hartwig – 3 Pieśni op.55 1997
Piano Crumbs (piano
solo) op.56 1992-02
Largo, Verse, Tango
Domestico,
La Valse Minime, Pavana, Somnambulicy,
Polskie Drogi,
Modlitwa, 5 drobiazgów
Pavana op.57 1998
Modlitwa op.58 1998
El Dancion Sentimental op.59 1998
IV Kwartet smyczkowy op.60 1998
Msza Warszawska op.61 2000
Herbert – Pieśni op.62 2000
Modlitwa do Anioła
Stróża nad ranem op.63 2000
Tango Rubio op.64 2002
Polskie Drogi (Jazz
Trio) op.65 2004
4 Ballady Jazzowe
Music for film and
theatre:
„Panny i wdowy” 1991
„Rykowisko” 1986
„Nad Niemnem” 1986
„Krab i Joanna” 1980
„Droga” 1980
„Cóżeś ty za pani” 1979
„Lekcja martwego
języka 1979
„Trzy po trzy” 1977
„Lalka” 1977
„Wergili” 1976
„Polskie Drogi” 1976
„Domy z deszczu” 1975
„Draka” 1970
„Ostatni świadek” 1969
„Czekam w
Monte-Carlo” 1969
„Ja gorę!” w
„Opowieści niezwykłe” 1967
„Cyrograf
dojrzałości” 1967
„Sublokator” 1966
„Kontrybucja” 1966
„Pierwszy pawilon” 1965
„Niedziela
sprawiedliwości” 1965
„Matura” 1965
„Szpital” 1962
„Dziewczyna z
dobrego domu” 1962
„Rzeczywistość” 1960
„Powrót” 1960
„Ostatni strzał” 1958
„Pan Tadeusz” –
muzyka teatralna
Discography (to be
continued)
WANDA WARSKA – singer, painter,
song-writer. She studied music in Poznań and Kraków. Since 1956 she has
performed as the principal singer of the jazz and song-cycles of the composer and
instrumentalist Andrzej Kurylewicz. During the 60’s, she came to prominence as
one of the most distinguished female jazz vocalists in Europe, and also gained
renown in Central America, where she lived and performed for a time. In 1967,
in Warsaw’s Old Town, with Andrzej Kurylewicz, she founded "Piwnica
Artystyczna Kurylewiczów" – an independent studio for the performance of
musical and literary forms, encapsulating in addition an Institute of Arts and
a gallery. During the 70’s, she composed music for a number of films. Since the
mid-seventies, she has devoted an increasing amount of her time to painting,
working principally on wood and on canvas. Alongside her vast jazz repertoire,
she performs the songs of Andrzej Kurylewicz and of her own composition. The
latter part of her repertoire includes settings of the finest Polish and
European poetry, in the original and in Polish translation – including
Kochanowski, Norwid, Słowacki, Mickiewicz, Wyspiański, Rilke and Mandelstam.
She continues to give performances and exhibitions throughout Poland and
Europe, in addition to a weekly performance in "Piwnica", accompanied
by Andrzej Kurylewicz, in concert with various other performers.